“Hockenberry engages with the logistical legacies of the Bauhaus and their implications for the future of remote production in artistic practice and industrial manufacturing…considering the Bauhaus as a site of investigation into the possibilities of distribution, mobility, and assembly, he argues that its legacy is a form of design that is obfuscating and instrumental.”
“Telephone, Color Chart, Napkin: The “Logistical Legacies of the Bauhaus” in Laura Forlano, Molly Wright Steenson, and Mike Ananny’s Bauhaus Futures (MIT Press, 2019).
Exhibition view of Moholy-Nagy's Emaille series, 1922.